Film Reviews, News & Competitions


The Long Goodbye

How To Enter This Competition!

FilmJuice Competition: To celebrate the release of Arrow Film's iconically cool The Long Goodbye we've got THREE Blu-ray copies to Give Away!
For your chance to win, simply answer this question (entry details at the bottom of page): Which Ocean's Eleven actor stars in The Long Goodbye?
Answer A: George Clooney
Answer B: Brad Pitt
Answer C: Elliot Gould
Competition Deadline: 26th December 2013



Posted November 27, 2013 by

Send your entry to with the answer in the subject line of your email. Include full contact details. Good Luck!




BLU-RAY RELEASE – 16th December


Arrow Films’ Arrow Academy label is pleased to announce the highly anticipated deluxe Blu-ray release of Robert Altman’s seminal classic The Long Goodbye. The restored Blu-ray disc will be available to own in the UK on 2nd December, marking the first time that this classic piece of 70s cinema will be available on the Blu-ray format in the UK.

Shot by the Academy Award-winning cinematographer Vilmos Zsigmond (Heaven’s Gate, Close Encounters of the Third Kind), a regular collaborator of Brian De Palma, Woody Allen and Robert Atlman the film was treated to a unique process in post-production whereby Zsigmond flashed the negative with light, partially exposing it, giving the film a muted look with desaturated colours and very low contrast. To ensure this was faithfully rendered on The Arrow Academy Blu-ray Zsigmond provided detailed colour notes so the master could better match the original intended look. The processes the film went through are explained in more detail on the extras contained in the disc and the booklet.

Starring: Elliott Gould, Nina van Pallandt, Sterling Hayden

Directed by: Robert Altman


When private eye Philip Marlowe (Elliott Gould) is visited by an old friend, this sets in train a series of events in which he’s hired to search for a missing novelist (Sterling Hayden) and finds himself on the wrong side of vicious gangsters.

So far so faithful to Raymond Chandler, but Robert Altman’s inspired adaptation of the writer’s most personal novel takes his legendary detective and relocates him to the selfish, hedonistic culture of 1970s Hollywood, where he finds that his old-fashioned notions of honour and loyalty carry little weight, and even his smoking (universal in film noir) is now frowned upon.

Widely misunderstood at the time, The Long Goodbye is now regarded as one of Altman’s best films and one of the outstanding American films of its era, with Gould’s shambling, cat-obsessed Marlowe ranking alongside more outwardly faithful interpretations by Humphrey Bogart and Robert Mitchum.

Special Features

• High Definition presentation of the film from a digital transfer by MGM Studios (1080p)

• Original uncompressed PCM audio

• Isolated Music and Effects Soundtrack

• Optional English SDH Subtitles for the deaf and hearing impaired

• Rip Van Marlowe: an interview with director Robert Altman and star Elliott Gould

• Vilmos Zsigmond Flashes The Long Goodbye: an interview with the legendary cinematographer

• Giggle and Give In: Paul Joyce’s acclaimed documentary profile of Robert Altman, with contributions from Altman, Gould, Shelley Duvall, assistant director Alan Rudolph and screenwriter Joan Tewkesbury

• Elliott Gould Q&A: the star discusses the film with crime novelist Michael Connelly

• David Thompson on Robert Altman: the editor of Altman on Altman and producer of the BBC’s Robert Altman in England talks about The Long Goodbye’s place in Altman’s filmography

• Tom Williams on Raymond Chandler: the novelist’s biographer outlines his life and work and discusses Altman’s adaptation of The Long Goodbye

• Maxim Jakubowski on Hard Boiled Fiction: the crime writer and critic discusses the emergence of hard-boiled detective characters from the pages of the pulp magazines from the 1920s through to the 1950s

• Original Theatrical Trailer

• Radio Spots

• Reversible Sleeve featuring the original poster and newly commissioned artwork by Jay Shaw

• Booklet featuring new writing on the film by Brad Stevens, an archive interview with screenwriter Leigh Brackett, a new interview with Alan Rudolph, and an American Cinematographer article discussing Zsigmond’s unique treatment of the film, illustrated with original archive stills and posters




Be the first to comment!

You must log in to post a comment