Today: September 9, 2026

Transformers One

You’d be forgiven for not necessarily having an animated Transformers film on your bingo card for one of the year’s most entertaining films but here we are. Because Transformers One is a film that punches way above its toy-franchise origins and dispels any bad aftertaste you may have had from the glut of live action Transformers films. 

With Cybertron a relic of what it used to be and the Primes all missing in action the planet is forced to mine for a fuel source. Amongst the miners are best friends Orion Pax (Chris Hemsworth) and D-16 (Brian Tyree Henry). When the pair enter a race only for transformers they find themselves banished to sub-level 50 where they meet B-127 (Keegan Michael Key) who has a map to the possible location of the Primes and The Matrix of Leadership (Mcguffin alert!). Helped by the far more sensible Elite-1 (Scarlett Johansson) the team set out to free Cybertron. 

Packed with brilliant action sequences and a script that is reminiscent of early Marvel films, Transformers One is a relentlessly entertaining popcorn film for the whole family. It’s visually cartoonish but vibrant enough to really immerse you in the world of Cybertron. Director Josh Cooley, a Pixar graduate and director of Toy Story 4, perfectly juggles the slightly over complicated plot with some great visual gags and action sequences that, like the best of Pixar, are both exhilarating and often funny. 
But more than anything what makes Transformers One so satisfying is the way it enriches the Transformers mythology without ever losing sight of the film being pure entertainment. So we find out how Optimus Prime became a Prime, how Megatron broke bad and why it’s probably a relief that Bumblebee lost his voice.

A rare film that will have viewers of all ages laughing together rather than at separate jokes aimed at different demographics, Transformers One is a joy of an animated film and with any luck could lead to more entries in the franchise.

Alex Moss Editor

Alex Moss’ obsession with film began the moment he witnessed the Alien burst forth from John Hurt’s stomach. It was perhaps ill-advised to witness this aged 6 but much like the beast within Hurt, he became infected by a parasite called ‘Movies’. Rarely away from his computer or a big screen, as he muses on Cinematic Deities, Alex is “more machine now than man. His mind is twisted and evil”. Email: alex.moss@filmjuice.com

Previous Story

A Complete Unknown

Next Story

Smile 2 Unboxing

Latest from Blog

Memory

Memory (2023)

Memory is an exquisite American drama in the tender embrace of Michel Franco’s cinematic prowess.

Giger’s Seminal Book is Back

Originally published in 1979, Giger’s Alien was perhaps one of the first ‘movie books’ that allowed fans a glimpse into a world which had, until then, been largely hidden. Part illustrated dairy,

Barbarian

It’s hard to think of a contemporary filmmaker as unpredictable as Zach Cregger. With last year’s jaw-dropping Weapons and his upcoming video game adaptation of Resident Evil it’s as good a time

Mars Attacks Unboxing

Arguably Tim Burton’s best film, Mars Attacks! is a gloriously campy love letter to the alien-invasion B-movies of the 1950s, blending deadpan humour and spectacular destruction with an all-star, resulting in one

The Sheep Detectives Unboxing

The Sheep Detectives is a surprisingly moving and poignant film, despite its wonderfully unusual premise. Featuring an all-star cast fronted by Hugh Jackman, the film combines impressive visual effects with plenty of

The Hairdresser Mysteries: Series One Unboxing

The Hairdresser Mysteries: Series One is another charming must-see for fans of cosy period crime television, whisking viewers back to the 1970s and the fictional northern market town and sleepy village of
Go toTop