The Lobster‘s opening scene is that of a woman driving in a car through remote countryside. She stops the car, in the pouring rain, gets out and shoots a donkey dead with
When decorating a new build house, one would be well advised to take into account each element of design in an attempt to find homogeneity, conveying the overall intended theme. Now, imagine
Pixels feels like a missed opportunity. And a big one at that. Classic ’80s video games (somehow) manifest themselves in our three dimensional world and come down from outer space to challenge
One major issue with the modern day blockbuster is that disappointing ‘connect the dots’ feeling they can engender when the storyline takes a back seat to the impressive action sequences and is
There’s a definite feeling with Return to Sender that person(s) behind the scenes have strategically positioned this film in order to cash in on the considerable success and critical acclaim that surrounded last
Mad Max: Fury Road picks you up from the very first scene and never once lets you go; tossing you from side to side, gripping like a rabid dog, until it’s good
Harrowing, bleak and ultimately tragic, Still makes for very hard viewing. That’s not to say it’s without its merits. Aiden Gillen gives a strong central performance which draws you into this dark
By all accounts a disruptive influence, director Isao Takahata doesn’t disappoint with his latest feature, The Tale Of The Princess Kaguya. A distinct departure in animation style and technique from the more
David Oyelowo delivers a performance as Dr Martin Luther King so solid and convincing that he, along with a finely tuned supporting cast, transports you back in time to the streets of Selma, 1965.
A big dollop of form over function, Blackhat exhibits the usual lovely digital visuals we’ve come to expect from Michael Mann of late and some decent suspense and tension for what is essentially a computer-hacker thriller