Today: June 18, 2024


In the 15 odd years since The Blair Witch Project came out, the found footage genre has pretty much been done to death. It’s been given numerous horror treatments, it’s had the sci-fi action thriller treatment in Cloverfield, and it’s even had a slightly bizarre superhero treatment in Chronicle. It’s been well and truly run ragged, in other words, and this is never more apparent than in Evidence – a film which that attempts to add a slightly different spin, but really only succeeds in showing just how worn down and stretched the genre has become.

Evidence follows a group of detectives as they attempt to piece together a brutal desert crime scene using damaged video evidence from a number of recovered cameras. The found footage is patchy at best and comes from multiple perspectives, all of which is meant to add to the central mystery and suspense that the film uses as its driving force.

The idea isn’t necessarily a bad one, but the main problem with Evidence is its characters, all of whom are awful stereotypes that we don’t care about in the least. There are the obligatory attractive women in denim shorts, the guitar-strumming jock, the surly bus driver, the teenage runaway and the mysterious crazy lady, and the only thing they all have in common is that none of them are even remotely interesting or original. There’s a half-hearted effort to crowbar in some back stories, but it’s a lazy attempt at best; the characters ultimately have no depth, which means it’s hard to be even slightly concerned for their well-being when they start getting picked off by the film’s blowtorch-wielding psychopath.

The only thing that really keeps Evidence moving is the central mystery as to the killer’s identity, and even that runs out of steam pretty quickly. The killer’s masked appearance and the conveniently distorted camera footage seem to be heading towards the type of twist films like this rely on, and in this area Evidence doesn’t disappoint; the only problem is the ending leans heavily on a shock-factor that doesn’t pack enough of a punch, and the twist clearly think it’s a lot more clever than it actually is.

Previous Story


Next Story


Latest from Blog


Memory (2023)

Memory is an exquisite American drama in the tender embrace of Michel Franco’s cinematic prowess.

WIN! All of Us Strangers on DVD!

To celebrate the release of the heartbreaking All Of Us Strangers we’ve got TWO DVD copies and an exclusive Poster to Give Away! For your chance to win, simply email your answer

WIN! Columbo Series 1-7 on Blu-ray!

To celebrate the release of Columbo Series 1-7 we’ve got TWO Blu-ray copies of to Give Away! For your chance to win, simply email your answer to the question below to – include

WIN! Farscape The Complete Series on Blu-ray!

To celebrate the release of Farscape the complete series we’ve got a Blu-ray copy of to Give Away! For your chance to win, simply email your answer to the question below to – include

Columbo: The Complete 1970s Collection

The concept was groundbreaking: a murder mystery in which the audience is told in the first five minutes who done it, and then they get to watch the detective work it out.
Go toTop

Don't Miss

London Has Fallen

Riddick Retrospective

Over the last ten years, Vin Diesel has carved out