From live streamed operas, to interactive secret cinema. From movies on demand, to plays adapted from films. The boundaries between between theatre, film and TV have been getting a mite blurred of
George Clooney was in London recently to talk about new movie Tomorrowland. Shelley Marsden was there for Filmjuice… He seems to have worked through just about every role you can play in
The late mountaineer Anatoli Boukreev (he died during an avalanche while climbing in Nepal) once said, ‘Mountains are the cathedral where I practice my religion’. In Manakamana, these two elements blend into one soporific whole.
DISNEY movie Maleficent, out in cinemas on May 28, is Disney gone bad – in the sense that it explores the untold story of the iconic villain from the 1959 animated feature
It didn’t do as well as it might have, but The Railway Man sees Colin Firth turn in one of the most moving and nuanced performances of his acclaimed career to date.
It’s not as bawdy as its title might suggest. But John Butler’s directorial debut, The Stag, a comedy with a heart about an Irish stag party gone awry, is a tad predictable
Paolo Sorrentino’s Oscar-winning The Great Beauty is shining the spotlight on Italian cinema across the globe, so it was fitting that last weekend Italian film took centre-stage in London for the fifth
Filmjuice’s Shelley Marsden speaks to Peter McDonald, who co-wrote and stars in Irish comedy The Stag. John Butler’s directorial debut is a gentler take on The Hangover, with more heart and picturesque
Anybody that has followed the career of Cillian Murphy will know the Cork actor isn’t averse to a bit of cross dressing. In Neil Jordan’s 2005’s Breakfast on Pluto he went from