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With the recent trend of rebooting much-loved Arnold Schwarzenegger movies from the 80s/90s, the obvious question to ask is: how do you replace the musclebound movie star?

If you liked the trailer for Camp Hell, don’t bother to watch the film.

There’s a good reason why Finding Nemo, Toy Story and Wall-E are classed as ‘beloved’ Pixar films. All of them have engaging characters, compelling stories and, most importantly, they have heart.

In the post-Blair Witch, Cloverfield, Paranormal Activity cine-verse of found footage, ‘wobbly cam’, faux-documentary fare, Chronicle is an exercise in why this mode of filmmaking is rapidly becoming a rather tired one.

Once the best smuggler in all of Noo Awlins, Chris Farraday (Mark Wahlberg) has put his life of crime behind him, settled down with wife Kate (Kate Beckinsale) and now turns an

Paranoid, anonymous surveillance expert Harry Caul (Gene Hackman) is hired by a shadowy corporation to keep tabs on a young couple (Frederic Forrest & Cindy Williams) and record their conversation during a

A period courtroom drama that finds the right level of character drama to keep the jury out till the bitter end.

In the aftermath of a playground fight, the parents of the two boys involved, meet to resolve the incident.

The market for British rom-coms has pretty much been cornered by Richard Curtis, with his saccharine ‘love conquers all’ stories of bumbling idiots. Chalet Girl, however, offers more than just spluttering faux