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When greed is no longer good, can a sequel to a film that exemplified capitalist ambition ever hope to succeed? What’s most remarkable about Oliver Stone’s sequel to his Oscar-winning 1990 drama

When a middle-aged man collapses and dies in the street, his devastated, poverty-stricken family face some hard choices, not the least of which is how they’re going to put food on the

Given the massive success of stage to screen adaptations over the past five years it was inevitable that studios would turn from the garish light of the Hairsprays and Mama Mias and

A film addressing the relationship between father and middle aged son, sprawled across the European countryside and 90% involving Martin Sheen walking was never going to scream to the youth of today.